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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of electronic music.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the last two years, after a period of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my spine and fractured about five ribs and broke my arm."

After catching pneumonia and suffering from blood poisoning, he was placed in an medically-induced sleep and remained in the hospital for half a year.

However, he had been in "high spirits mentally" over the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the new album that we literally finished only a short time ago," said the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond described his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from being in a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from Paul to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare creative synergy.

Ball had developed a interest with synthesizers after watching the band Kraftwerk perform on a television science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, selling 21 million units worldwide. Together with successful tracks by Gary Numan, contemporary bands and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The song was also included on their first album, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Career Highlights

Success had its benefits. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a beauty queen," Ball not long ago shared with a publication.

But it also caused problems. "Sudden riches allowed we could afford substances to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a follow-up classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.

After another break, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the O2 Arena on September 30, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's new album as a homage to the New York club scene they frequented while recording their first two albums.

He noted that his time in hospital had shaped the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is due for launch in Spring 2026.

The writer

Lisa Barron

Lieke is een fervent voorvechter van een duurzame levensstijl en deelt haar passie voor groen wonen en milieubewustzijn.

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